Estudio de diseño y consultoría especializado en el desarrollo de tipografía, cartel, diseño editorial e interacción.
Seleccted Posters Ecuador Poster Bienal Category B – Social and Cultural Posters
We are very proud to announce that the Earth overshoot day poster is the winner of category D – Unpublished Poster. The day of the earth’s overdraft, at the Bolivia Cartel Biennial. BICEbé 2023
We are very proud to announce that the Earth overshoot day poster is the winner of category D – Unpublished Poster. The day of the earth’s overdraft, at the Bolivia Cartel Biennial. BICEbé 2023 <img fetchpriority="high" decoding="async" class="alignnone size-full wp-image-981" src="https://bluetypo.com/site/wp-content/uploads/2024/06/overshoot.jpeg" alt="" width="830" height="1186" srcset="https://bluetypo.com/site/wp-content/uploads/2024/06/overshoot.jpeg 830w, https://bluetypo.com/site/wp-content/uploads/2024/06/overshoot-420x600.jpeg 420w, https://bluetypo.com/site/wp-content/uploads/2024/06/overshoot-768x1097.jpeg 768w, https://bluetypo.com/site/wp-content/uploads/2024/06/overshoot-170x243.jpeg 170w" sizes="(max-width: 830px) 100vw, 830px" /> <img decoding="async" class="alignnone size-full wp-image-982" src="https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-scaled.jpeg" alt="" width="2560" height="1197" srcset="https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-scaled.jpeg 2560w, https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-600x281.jpeg 600w, https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-1400x655.jpeg 1400w, https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-768x359.jpeg 768w, https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-1536x718.jpeg 1536w, https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-2048x958.jpeg 2048w, https://bluetypo.com/site/wp-content/uploads/2024/06/BICEBE-243x114.jpeg 243w" sizes="(max-width: 2560px) 100vw, 2560px" />
This is an experimental fontface by BlueTypo inspired in stencil, pattern and dotted typography made with Fontstuct. This type performs well in large sizes, the principal function is decorative but if you want to use it en large text, maybe nobody can read it, but could be fun. 😉
This is an experimental fontface by BlueTypo inspired in stencil, pattern and dotted typography made with Fontstuct. This type performs well in large sizes, the principal function is decorative but if you want to use it en large text, maybe nobody can read it, but could be fun. Free to download
MiniBlock is a mosaic-style typeface built from rectangular modules that, when used, create a visual texture in which letters interlock both horizontally and vertically to form intricate shapes. One of its distinctive features is the vertical alignment of certain letters—such as L, T, and Y—with the stems of other characters. Its primary purpose is ornamental […]
MiniBlock is a mosaic-style typeface built from rectangular modules that, when used, create a visual texture in which letters interlock both horizontally and vertically to form intricate shapes. One of its distinctive features is the vertical alignment of certain letters—such as L, T, and Y—with the stems of other characters. Its primary purpose is ornamental and playful, placing legibility in the background. The type system includes multiple versions that expand its creative possibilities. MiniBlock VF, MiniBlock Pro, and Pro Rounded offer 915 glyphs, advanced OpenType features, integrated borders and ornaments, full compatibility with Mac Roman and Windows 1252. MiniBlock 3D is a layered version composed of three OpenType files Miniblock-Front, Miniblock-Side, and Miniblock-Bottom. MiniBlock Titles delivers greater weight for high-impact headlines, while MiniBlock Borders includes decorative frames and ornaments that are directly accessible from the keyboard. 2010 – Latin American Typography Biennial. Selected Work VERSIONS MiniBlock Pro Pack Includes all available versions: Condensed, Semi Condensed, Regular, Semi Expanded, Expanded, the Variable Font version, and MiniBlock 3D Layer. Ideal for design studios and projects that demand maximum versatility. $160.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock VF (Variable Font) Explore all five widths of MiniBlock (from Condensed to Expanded) in a single font. Perfect for adjusting visual rhythm, building hierarchy, and experimenting with fluid design. $80.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock Static Pro Pack Includes all static styles: Condensed, Semi Condensed, Regular, Semi Expanded, Expanded. Ideal for design studios and projects needing broad versatility at a moderate cost. $80.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock 3D Built using three OpenType layers: Front, Side, and Bottom. Ideal for three-dimensional compositions with volume, depth, and a bold visual style. $40.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart STATIC VERSIONS Five individual styles, each featuring: 915 glyphs Advanced OpenType features Integrated borders and ornaments Compatible with Mac Roman and Windows 1252 Support for 203 languages Choose the version that best suits your project: MiniBlock Condensed Pro $25.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock Semi Condensed Pro $25.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock Regular Pro $25.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock Semi Expanded Pro $25.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock Expanded Pro $25.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart SPECIALIZED VERSIONS MiniBlock Titles Designed for headlines with greater weight and visual presence. Perfect for short, impactful, large-scale compositions that take advantage of the modular character of the typeface. (66 glyphs) $10.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart MiniBlock Borders Includes only decorative borders and ornaments, accessible directly from the keyboard. Perfect for enhancing compositions with frames and visual embellishments. (66 glyphs) $10.00 – Purchase Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart OPENTYPE FEATURES Included in Pro and Variable versions:
Impossible is an experimental typographic font inspired by the principles of Euclidean geometry used by M. C. Escher in his works, where reality is observed from multiple planes. This typographic font has its antecedent in the multiperspective project developed for 36 days of type 04, which consisted of 36 glyphs (A – Z and 0 […]
Impossible is an experimental typographic font inspired by the principles of Euclidean geometry used by M. C. Escher in his works, where reality is observed from multiple planes. This typographic font has its antecedent in the multiperspective project developed for 36 days of type 04, which consisted of 36 glyphs (A – Z and 0 – 9). For the 2021 version, we develop 233 glyphs set that support the characters of Latin, Western European, and Central languages. You can see the Multiperspective version in this link Download this font for free File format: .otf and .jpg Free to download
Typographic posters is a collection of posters made during 2016 and 2018. This project involves the experimental use of typography through the use of lines, patterns and isometric perspective that generate a unique perceptual experience. Each of this posters represent a challenge to communicate with the only use of type. This work is deeply influenced […]
Typographic posters is a collection of posters made during 2016 and 2018. This project involves the experimental use of typography through the use of lines, patterns and isometric perspective that generate a unique perceptual experience. Each of this posters represent a challenge to communicate with the only use of type. This work is deeply influenced by various characters such as the optical artists like Victor Vasarely, Bridget Riley, Omar Rayo, Carlos Cruz Diez, and on the other hand, designers like Müller-Brockmann, Wolfgang Weingart, Niklaus Troxler, Isidro Ferrer or Felix Beltran. Typographic posters are a perceptual experience related to how vision functions. As the Op Art, this project is based in two primary ways. The first, and best known method, is the creation of effects through the use of pattern and line. Another reaction that occurs is that the lines create after images of certain colours due to how the retina receives and processes light. ACCEPTED TO THE FINALE of Trnava Poster Triennial 2018 PRIJATÝCH DO FINÁLE Trienále plagátu Trnava 2018 See this link to view the complete project.
Posters in favor of people’s human rights in the migration. Poster Honorable Mention in social category by the BICM in collaboration with the CNDH. you can see more at this link
Posters in favor of people’s human rights in the migration. Poster Honorable Mention in social category by the BICM in collaboration with the CNDH. you can see more at this link <img loading="lazy" decoding="async" src="https://bluetypo.com/site/wp-content/uploads/2017/04/BICMX.jpg" alt="" width="720" height="1028" class="alignnone size-full wp-image-27" srcset="https://bluetypo.com/site/wp-content/uploads/2017/04/BICMX.jpg 1000w, https://bluetypo.com/site/wp-content/uploads/2017/04/BICMX-420x600.jpg 420w, https://bluetypo.com/site/wp-content/uploads/2017/04/BICMX-768x1097.jpg 768w, https://bluetypo.com/site/wp-content/uploads/2017/04/BICMX-980x1400.jpg 980w, https://bluetypo.com/site/wp-content/uploads/2017/04/BICMX-170x243.jpg 170w" sizes="auto, (max-width: 720px) 100vw, 720px" />
Tribute to the Mexican Lottery. At the initiative of Federico López, it compiles work of different artists and designers, the collaboration in this project is the umbrella. In this link you can view the entire project.
Tribute to Frida Kahlo, for Women Designers with Arthur Negrete, Mexican printer by tradition. Center of the Arts San Luis Potosí, Mexico, 2013. The Taller en vida with Women Designers is the last of the workshops that Master Arturo Negrete (75º Color) did in this modality. The headquarters was the Arts Center of San Luis […]
Tribute to Frida Kahlo, for Women Designers with Arthur Negrete, Mexican printer by tradition. Center of the Arts San Luis Potosí, Mexico, 2013. The Taller en vida with Women Designers is the last of the workshops that Master Arturo Negrete (75º Color) did in this modality. The headquarters was the Arts Center of San Luis Potosí on November 8, 2013. Women Designers is a project organized by Eréndida Mancilla to recognize the greatness of women and their role in society, is a pretext to enhance the Gender and pay a fair tribute. In this workshop participated: Claudia Tello (Guadalajara) Ivette Valenzuela (Hermosillo) Guadalupe Betanzo (Puebla) Eréndida Mancilla (SLP) Arturo Negrete (México, DF) See this link to see the full project.
Typographic posters is a collection of posters made during 2013 and 2015. This project involves the experimental use of typography through the use of lines, patterns and isometric perspective that generate a unique perceptual experience. Each of this posters represent a challenge to communicate with the only use of type. This work is deeply influenced […]
Typographic posters is a collection of posters made during 2013 and 2015. This project involves the experimental use of typography through the use of lines, patterns and isometric perspective that generate a unique perceptual experience. Each of this posters represent a challenge to communicate with the only use of type. This work is deeply influenced by various characters such as the optical artists like Victor Vasarely, Bridget Riley, Omar Rayo, Carlos Cruz Diez, and on the other hand, designers like Muller-Brockmann, Wolfgang Weingart, Niklaus Troxler, Isidro Ferrer or Felix Beltran. Typographic posters are a perceptual experience related to how vision functions. As the Op Art, this project is based in two primary ways. The first, and best known method, is the creation of effects through the use of pattern and line. Another reaction that occurs is that the lines create after images of certain colours due to how the retina receives and processes light. Typographic Posters just recently won the A’ Design Award & Competition in Italy in Graphics and Visual Communication Design. See this link to view the complete project.
Calavera is a display family inspired by nineteenth-century Mexican engravings and the mexican culture of papel picado, which literally means ‘punched’ or ‘perforated’ paper. This traditional cut-paper folk art is found throughout Mexico and in the folk traditions of many other countries. In Mexico, the tradition is widely used in the celebration of Día de […]
Calavera is a display family inspired by nineteenth-century Mexican engravings and the mexican culture of papel picado, which literally means ‘punched’ or ‘perforated’ paper. This traditional cut-paper folk art is found throughout Mexico and in the folk traditions of many other countries. In Mexico, the tradition is widely used in the celebration of Día de los Muertos (The Day of the Deaths). To celebrate the release of thi new font, some designers were invited to design a poster using the typeface, this poster was made by Eréndida Mancilla. See this link to view all posters. <img loading="lazy" decoding="async" src="https://bluetypo.com/site/wp-content/uploads/2017/04/calavera.jpg" alt="" width="600" height="900" class="alignnone size-full wp-image-58" srcset="https://bluetypo.com/site/wp-content/uploads/2017/04/calavera.jpg 600w, https://bluetypo.com/site/wp-content/uploads/2017/04/calavera-400x600.jpg 400w, https://bluetypo.com/site/wp-content/uploads/2017/04/calavera-162x243.jpg 162w" sizes="auto, (max-width: 600px) 100vw, 600px" />
Valle de Guadalupe, Baja California. Mexico. Intense red ruby garnet reflections , clean and bright scammers ; scents one ripe black and red fruits ; on the palate, fruity and spicy with hints one snuff, leather and walnut . Made from Nebbiolo Variety (Italy) collected in the first week of October; Fermentation process is achieved […]
Valle de Guadalupe, Baja California. Mexico. Intense red ruby garnet reflections , clean and bright scammers ; scents one ripe black and red fruits ; on the palate, fruity and spicy with hints one snuff, leather and walnut . Made from Nebbiolo Variety (Italy) collected in the first week of October; Fermentation process is achieved at a controlled temperature of 28 to 30º c. for 15 or 20 days and then be aged for 14 months in white oak barrel and 24 months in bottle. For this design, typography wood was taken. In this period include beautiful letters made of wood and metal, they were used as direct printing process (Letterpress) technique almost disappeared today. En este link puedes ver el proyecto completo.
FYODOR DOSTOYEVSKY. Poster dedicated to the work of Fyodor Dostoevsky. NB: 2016 marks the 195th anniversary of Dostoevsky’s birth and the 150th anniversary of the writing novel Crime and Punishment. Strelka Biennale in Nizhny Novgorod. En este link puedes ver el proyecto completo.
FYODOR DOSTOYEVSKY. Poster dedicated to the work of Fyodor Dostoevsky. NB: 2016 marks the 195th anniversary of Dostoevsky’s birth and the 150th anniversary of the writing novel Crime and Punishment. Strelka Biennale in Nizhny Novgorod. En este link puedes ver el proyecto completo. <img loading="lazy" decoding="async" src="http://bluetypo.com/studio/wp-content/uploads/2017/04/crime-979x1400.jpg" alt="" width="760" height="1087" class="alignnone size-large wp-image-67" srcset="https://bluetypo.com/site/wp-content/uploads/2017/04/crime-979x1400.jpg 979w, https://bluetypo.com/site/wp-content/uploads/2017/04/crime-420x600.jpg 420w, https://bluetypo.com/site/wp-content/uploads/2017/04/crime-768x1098.jpg 768w, https://bluetypo.com/site/wp-content/uploads/2017/04/crime-170x243.jpg 170w, https://bluetypo.com/site/wp-content/uploads/2017/04/crime.jpg 1402w" sizes="auto, (max-width: 760px) 100vw, 760px" />
OPTICA Normal is a typeface built with the help of orthogonal lines assembled together in a fixed order. In this optic game we can perceive a pattern texture but if you analyze the line directions you will see the text inside. This type performs better at large sizes. OPTICA Normal is a tribute to the […]
OPTICA Normal is a typeface built with the help of orthogonal lines assembled together in a fixed order. In this optic game we can perceive a pattern texture but if you analyze the line directions you will see the text inside. This type performs better at large sizes. OPTICA Normal is a tribute to the Colombian artist Omar Rayo´s optic art. AWARDS, NOMINATIONS & REVIEWS 2008 – Project featured by the blog ilovetypography.com 2009 – Project featured by typographyserved.com 2009 – Certificate of excellence in type design by the Type Directors Club 2009 – Font review by fontfeed.com 2010 – Nominee to Designpreis Deutschland 2010 2010 – Certificate of excellence in type design by Tipos Latinos Buy this font Optica Normal $35.00 usd $35.00 – Comprar Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart Optica Negative $35.00 usd $35.00 – Comprar Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart Optica Pack $60.00 usd $60.00 – Comprar Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart JUGDGE’S CHOICE | RICHAR KEGLER | Type Director Club 2009 | The premise of Excellence in Type Design made the judging of the 165 entries difficult. There were many designs that demonstrated skill and understanding of type design to a level of excellence but were still eliminated for various reasons. Perhaps the field of type design grows so much every year that the cumulative pool of designs make the truly unique and exceptional harder to reveal themselves. To contribute something new to such a studied and focused field risks failure or redundancies at every turn. This entry was thought at first to be possibly a put-on. It wasn’t until several hours of judging and returning to this design bleary-eyed that the letters finally emerged for me. Before then, it was simply an engaging piece of op art. The seamless lockup as a solid field of intersecting lines at 90-degree angles, even in the negative space, creates something quite jarring. As a readable, functional font, it is, well, not. As a display face, it is unique, clever, and once deciphered, very memorable. The level of engagement is the polar opposite of Beatrice Warde’s “Crystal Goblet” treatise. It was unknown at the time of judging that the designer was from Mexico, but the Aztec-Mayan pattern filtered via the Mexico ’68 Olympic identity system seemed to be the clearest precedent for this, making it culturally authentic as well as excellent.
36 days of restless creativity, where participants are challenged to design a letter or number each day, resulting an outcome of the ability to represent the same symbol from many different perspectives. This year on a daily basis I try to alter or create generative programs that would output unexpected letter forms. See more at […]
36 days of restless creativity, where participants are challenged to design a letter or number each day, resulting an outcome of the ability to represent the same symbol from many different perspectives. This year on a daily basis I try to alter or create generative programs that would output unexpected letter forms. See more at this link
Drop Caps. This is my participation for #36daysoftype 36 days of restless creativity, where participants are challenged to design a letter or number each day, resulting an outcome of the ability to represent the same symbol from many different perspectives. Buy the Drop Caps Formato de archivo: .ai .pdf .jpg .psd See the full project […]
Drop Caps. This is my participation for #36daysoftype 36 days of restless creativity, where participants are challenged to design a letter or number each day, resulting an outcome of the ability to represent the same symbol from many different perspectives. Buy the Drop Caps Formato de archivo: .ai .pdf .jpg .psd $3.00 – Comprar Checkout <path d="M26.11 8.844c0 .39-.157.78-.44 1.062L12.234 23.344c-.28.28-.672.438-1.062.438s-.78-.156-1.06-.438l-7.782-7.78c-.28-.282-.438-.673-.438-1.063s.156-.78.438-1.06l2.125-2.126c.28-.28.672-.438 1.062-.438s.78.156 1.062.438l4.594 4.61L21.42 5.656c.282-.28.673-.438 1.063-.438s.78.155 1.062.437l2.125 2.125c.28.28.438.672.438 1.062z"/> Added to cart See the full project .
Homenaje a Frida Kahlo, para el Taller en Vida de Mujeres Diseñando con Arturo Negrete, impresor mexicano por tradición. Centro de las Artes San Luis Potosí, México, 2013. El Taller en Vida con Mujeres Diseñando es el último de los talleres que realizó el Maestro Arturo Negrete (75º Color) en esta modalidad. La sede fue […]
Homenaje a Frida Kahlo, para el Taller en Vida de Mujeres Diseñando con Arturo Negrete, impresor mexicano por tradición. Centro de las Artes San Luis Potosí, México, 2013. El Taller en Vida con Mujeres Diseñando es el último de los talleres que realizó el Maestro Arturo Negrete (75º Color) en esta modalidad. La sede fue el Centro de las Artes de San Luis Potosí el día 8 de noviembre del 2013. Mujeres Diseñando es un proyecto organizado por Eréndida Mancilla para reconocer la grandeza de la mujer y su papel dentro de la sociedad, es un pretexto para enaltecer al género femenino y rendirle un justo tributo. En este taller en vida participaron: Claudia Tello (Guadalajara) Ivette Valenzuela (Hermosillo) Guadalupe Betanzo (Puebla) Eréndida Mancilla (SLP) Arturo Negrete (México, DF) En este link puedes ver el proyecto completo.