Mexican graphic designer specializing in type design and interactive communication. In 2009, he received the Certificate of Excellence in Type Design from the Type Directors Club New York, and in 2010 was nominated for the Prize of Prizes Design Award granted by the German government. That same year, he was also recognized with a Certificate of Excellence at the Tipos Latinos Fourth Latin American Typography Biennial. His work has been selected multiple times in international poster competitions, including the Bolivia BICeB\u00e9 Biennial (2013, 2015, 2017, 2019), the International Poster Biennial in Ecuador (2016, 2020), and the Trnava Poster Triennial in Slovakia (2015, 2018, 2021). In 2016, he was awarded the Silver A\u2019 Design Award in Italy.<\/p>\n
His projects have been featured in renowned design platforms and publications such as FontFeed by FontShop, I Love Typography, Typography Served, Fubiz, Unos Tipos Duros, The Annual Typography 30, 365 Typo Vol. 2, Typodarium (2010, 2011, 2012), Digital Arts Magazine, Page Magazine, Tiypo, and Communication Arts, among others.<\/p>\n
\nHe has delivered talks on experimental typography at national and international events including TEDx, Palermo, Bienal de Letras Latinas, La Letra Ilustra, ProDise\u00f1o, Punto GIF, Pasi\u00f3n y Dise\u00f1o, Tipografilia, VisualFest, Bienal del Cartel Bolivia, Tipograf\u00eda M\u00e9xico, Creative Mornings, SIGNU Ecuador, and Typographics Type Lab. He has also led multiple workshops under the name TipoLab at various Mexican universities, in addition to specialized sessions on typographic posters and experimental type using programming.\n<\/p><\/blockquote>\n
CV full<\/button><\/p>\n\n
\n\nEducation:<\/strong><\/td>\n1994, Graphic Designer, Faculty of Habitat, Autonomous University of San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \nEducation:<\/strong><\/td>\n1999, Specialist in Furniture Design, Faculty of Habitat, Autonomous University of San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2003, Graphic Design MA, Faculty of Habitat, Autonomous University of San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2010, Architecture, Design, Urbanism, PHD. Autonomous University of Morelos, Mexico<\/td>\n<\/tr>\n \nAwards<\/strong><\/td>\n2009, Certificate of excellence in type design, Type Directors Club, NY\/USA<\/td>\n<\/tr>\n \n<\/td>\n 2010, Nominee to Designpreis Germany, Frankfurt \/ Germanny<\/td>\n<\/tr>\n \n<\/td>\n 2010, Certificate of excellence in type design, Latin Types, Veracruz \/ Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2013, Finalist poster, International Poster Biennial Bolivia<\/td>\n<\/tr>\n \n<\/td>\n 2015, Finalist poster, International Poster Biennial Bolivia<\/td>\n<\/tr>\n \n<\/td>\n 2015, Finalist poster, Triennial Poster of Trnava \/ Solvak<\/td>\n<\/tr>\n \n<\/td>\n 2016, Selected typography, Latino Types, Buenos Aires \/ Argentina<\/td>\n<\/tr>\n \n<\/td>\n 2016, A’ Design Award Siver, A’ Design Award & Communications, Milan\/Italy<\/td>\n<\/tr>\n \n<\/td>\n 2017, Finalist poster, International Poster Biennial Bolivia<\/td>\n<\/tr>\n \n<\/td>\n 2018, Finalist poster, Triennial Poster of Trnava \/ Solvak<\/td>\n<\/tr>\n \nConferences:<\/strong><\/td>\n2010, Latino Types 2010, Gestalt University.\u00a0Veracruz Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2010, International Congress VerdisQuo.\u00a0Torre\u00f3n, Coahuila.<\/td>\n<\/tr>\n \n<\/td>\n 2011, Tipografilia 06, Faculty of Habitat, Autonomous University of San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2011, Latin American Design Meeting.\u00a0University of Palermo.\u00a0Buenos Aires, Argentina.<\/td>\n<\/tr>\n \n<\/td>\n 2011, Prodise\u00f1o: TRANSEMIA.\u00a0Institute of Superior Studies of Tamaulipas.\u00a0Tampico, Tamaulipas.\u00a0Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2012, The Letter Illustrates 2. Typewear.\u00a0Mexico City.\u00a0Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2012, TEDx San Luis Potos\u00ed.\u00a0Labyrinth Museum.\u00a0San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2013, International Congress D10.\u00a0Culiac\u00e1n, Sinaloa<\/td>\n<\/tr>\n \n<\/td>\n 2013, Let’s Celebrate Design.\u00a0University of the Center of Mexico.\u00a0San Luis Potosi.\u00a0Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2014, Passion and Design 2014. Puebla, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2015, PuntoGIF.\u00a0University of the Center of Mexico.\u00a0San Luis Potosi.Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2015, Design Route.\u00a0Autonomous University of San Luis Potos\u00ed.\u00a0San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2015, San Luis Design Week.\u00a0Cultural Diffusion Center.\u00a0San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2016, Tipografilia 10, the national congress of typography in Mexico.Intercontinental University.\u00a0Mexico City, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2017, North to the Center.\u00a0Center for the Arts, Bicentennial.\u00a0San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2017, Poster Biennial in Bolivia.\u00a0La Paz, Bolivia.<\/td>\n<\/tr>\n \n<\/td>\n 2017, Typography Mexico.\u00a0University of Mexico\u00a0Monterrey Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2018, Creative Mornings, Curiosity.\u00a0San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \nWorkshops:<\/strong><\/td>\n2010, TipoLab Typographic Experimentation Laboratory.\u00a0Monterrey Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2010, TipoLab Typographic Experimentation Laboratory.\u00a0International Congress VerdisQuo.\u00a0Torre\u00f3n, Coahuila.<\/td>\n<\/tr>\n \n<\/td>\n 2011, TipoLab Typographic Experimentation Laboratory.\u00a0Tipografilia 06, Faculty of Habitat, Autonomous University of San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2011, TipoLab Typographic Experimentation Laboratory.\u00a0Prodise\u00f1o 2011: TRANSEMIA.\u00a0Institute of Superior Studies of Tamaulipas.Tampico, Tamaulipas.\u00a0Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2012, TipoLab Typographic Experimentation Laboratory.\u00a0The letter illustrates 2. Typewear.\u00a0Mexico City.\u00a0Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2013, TipoLab Typographic Experimentation Laboratory.\u00a0International Congress D10.\u00a0Culiac\u00e1n, Sinaloa<\/td>\n<\/tr>\n \n<\/td>\n 2013, TipoLab Typographic Experimentation Laboratory.\u00a0Let’s celebrate the Design.\u00a0University of the Center of Mexico.\u00a0San Luis Potosi.\u00a0Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2014, Social Poster Workshop.\u00a0School of Design of the National Institute of Fine Arts.\u00a0Mexico City.\u00a0Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2014, TipoLab Typographic Experimentation Laboratory.\u00a0Passion and Design\u00a0Puebla, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2015, PuntoGIF Exhibition.\u00a0University of the Center of Mexico.\u00a0San Luis Potosi.\u00a0Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2015, Social Poster Workshop.\u00a0International Congress D10.\u00a0Culiac\u00e1n, Sinaloa.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2016, Typographic Poster Workshop.\u00a0Typography 10. Intercontinental University.\u00a0Mexico City, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2017, Typographic Poster Workshop.\u00a0From the North to the Center.Center for the Arts, Bicentennial.\u00a0San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2017, University Design Festival, VisualFest 2018. Quer\u00e9taro, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2017, Typographic Poster Workshop.\u00a0Biennial of the Poster in Bolivia.La Paz, Bolivia.<\/td>\n<\/tr>\n \n<\/td>\n 2017, Experimental typography workshop.\u00a0Typography Mexico.University of Mexico\u00a0Monterrey Mexico.<\/td>\n<\/tr>\n \n \n<\/td>\n 2020, Typographics 2020, TypeLab Americas. New York, EUA.<\/td>\n<\/tr>\n \n<\/td>\n 2021, SIGNU, UTE Congreso 2021, Quito, Ecuador.<\/td>\n<\/tr>\n Publications<\/strong><\/td>\n2009, \u00abOptica Naormal\u00bb, Type Directors Club (U.S.). Typography 30: The annual of the Type Directors Club, pages 274-275, U:S\/NEW YORK<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2010, Typography as a resource.\u00a0ForoAlfa.\u00a0Argentina.<\/td>\n<\/tr>\n \n<\/td>\n 2012, \u00abThe Interaction in the reading process in the electronic media\u00a0 \n<\/td>\n 2013, Sedici\u00f3n Magazine.\u00a0Special Typography.\u00a0Mexico City, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2015, \u00abThe formal experimentation in typographic design.\u00bb, Design in Synthesis.\u00a0Reflections on the culture of design, MEXICO \/ MEXICO, ISSN: 1665-1294<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2016, Magazine IdN v23n3: Type & Lettering in Posters. Hong Kong, China.<\/td>\n<\/tr>\n \n<\/td>\n 2017, \u00abExperiment rewarded: Manuel Guerrero takes silver in A’ Design Award\u00bb 365 TYPO TWO, pages 159-160, PARIS\/FRANCE, ETAPES-EDITIONS, ISBN: 976-10-95254-01-0<\/td>\n<\/tr>\n \nExhibitions<\/strong><\/td>\n2013, Exhibition With Two Colors.\u00a0Matadero Cultural Center.\u00a0Madrid Spain.<\/td>\n<\/tr>\n \n<\/td>\n 2013, Poster Exhibition Posada 100. Puebla, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2014, Ayotzinapa digital exhibition.\u00a0Mexico City, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2015, Exhibition 50 anniversary Juli\u00e1n Carrillo.\u00a0Julian Carrillo Cultural Center.\u00a0San Luis Potos\u00ed, Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2016, San Luis in Cartel.\u00a0International Poster Biennial in Mexico.Mining Palace\u00a0Mexico City, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2016, Exhibition @ Mood. 09 \u2013 28th July \n<\/td>\n 2016, Espacio Sim\u00f3n I. Pati\u00f1o.\u00a03 Aug\u00a0 \n<\/td>\n 2016, Award Winning Designs Exhibition. 2nd of July \u2013 4th of August \n<\/td>\n 2016, Festival of Architecture and Interior Designing Conference. 23rd \u2013 24th of September. \n<\/td>\n 2016, Grand Design Exhibition. 28th of September \u2013 1st October. \n<\/td>\n 2016, Museum of the Print and Design Carlos Cruz-Diez.\u00a0October 7\u00a0 \n<\/td>\n 2016, Franz Mayer Museum.\u00a0October 7\u00a0 \n<\/td>\n 2016, National Library of Chile.\u00a0Nov 2 – 8\u00a0 \n<\/td>\n 2106, Exhibition 24 anniversary of Free Format.\u00a0Jalapa, Veracruz.<\/td>\n<\/tr>\n \n<\/td>\n 2016, Shenzhen International Industrial Design Fair. 6th \u2013 8th November. \n<\/td>\n 2016, Behance Postfolio Reviews.\u00a0Colima, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2016, The Colors of Cinema.\u00a0Filming Film Festival.\u00a0San Luis Potosi.Mexico.<\/td>\n<\/tr>\n \n<\/td>\n 2016, Festival of Architecture and Interior Designing Conference. 2nd \u2013 3rd of December. \n<\/td>\n 2016, The Lottery.\u00a0Pedestrian Gallery Games, Strokes and Colors.Jalapa, Mexico<\/td>\n<\/tr>\n \n<\/td>\n 2017, Atarazanas Cultural Center.\u00a0January 27 and 28\u00a0 \n<\/td>\n 2017, TL Exhibition in Bras\u00edlia.\u00a0Fri 4 Aug\u00a0 \n<\/td>\n 2017, Clavijero Cultural Center.\u00a0September 5 – December 31\u00a0 \n<\/td>\n 2017, Center for the Arts.\u00a0Bicentennial.\u00a0Nov 7\u00a0 \n<\/td>\n 2017, TL Exposure in Type12h CE.\u00a0Mon 20 Nov\u00a0 \n<\/td>\n 2017, TL Exhibition on DiaTipoRJ.\u00a021 dic.\u00a0 \nw<\/a><\/td>\n 2017, Let’s give it a pot-sized mass !, Posters about proverbs.International Poster Biennial in Mexico.\u00a0Technological Institute of Sonora Gallery.\u00a0Sonora, Mexico<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2017, Umberto Eco: 95 posters in homage to the master of lucidity.National Museum of Art (MNA).\u00a0La Paz, Bolivia.<\/td>\n<\/tr>\n \n<\/td>\n 2018, Type & Code.\u00a0Grafoteca, University of the Center of Mexico.\u00a0San Luis Potosi.\u00a0Mexico.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2018, XII Conference on the Practice of Design.\u00a0Higher School of Design of Arag\u00f3n- ESDA.\u00a0Arag\u00f3n, Spain.<\/td>\n<\/tr>\n \nBlogs\u00a0<\/strong>w<\/a><\/td>\n 2008, the week in Type: good type. I Love Typography. Londres, Inglaterra<\/td>\n<\/tr>\n \n<\/td>\n 2009, Font review by fontfeed.com Berlin, Germany.<\/td>\n<\/tr>\n \n<\/td>\n 2009, Project featured by typographyserved.com Berlin, Germany.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2013, Magazine .925 Arts and Design.\u00a0Mexico City.\u00a0Mexico.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2014, Comunication Arts Magazine.\u00a0Mexican Type Design.\u00a0U.S.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2016, LATAM_D Manuel Guerrero.\u00a0La Paz, Bolivia.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2016, Urban Poster, Optical illusion or typographical illusion ?.Medellin Colombia.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2017, TYPE & CODE: An Introduction to Generative Typography.\u00a0The font type.\u00a0Brazil.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2018, Letter lovers Part I: Mexican typographers, calligraphers and signers.\u00a0CoolHunter Mexico.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2018, Meet the 20 Mexican typographers who are revolutionizing the industry.\u00a0Canva.\u00a0Mexico.<\/td>\n<\/tr>\n \nw<\/a><\/td>\n 2021, 3 Latinamerican designers in the World design ranking.\u00a0Roastbrief.<\/td>\n<\/tr>\n<\/table><\/div>\n","protected":false},"excerpt":{"rendered":"Mexican graphic designer specializing in type design and interactive communication. In 2009, he received the Certificate of Excellence in Type Design from the Type Directors Club New York, and in 2010 was nominated for the Prize of Prizes Design Award granted by the German government. That same year, he was also recognized with a Certificate […]<\/p>\n","protected":false},"author":1,"featured_media":11,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-team02.php","meta":{"footnotes":""},"class_list":["post-115","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/pages\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/comments?post=115"}],"version-history":[{"count":9,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/pages\/115\/revisions"}],"predecessor-version":[{"id":1074,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/pages\/115\/revisions\/1074"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/media\/11"}],"wp:attachment":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/media?parent=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}