{"id":1020,"date":"2024-10-16T15:14:27","date_gmt":"2024-10-16T20:14:27","guid":{"rendered":"https:\/\/bluetypo.com\/site\/?p=1020"},"modified":"2024-10-16T15:35:50","modified_gmt":"2024-10-16T20:35:50","slug":"sangre-devota","status":"publish","type":"post","link":"https:\/\/bluetypo.com\/site\/es\/2024\/10\/16\/sangre-devota\/","title":{"rendered":"Sangre Devota"},"content":{"rendered":"\n<p>A un siglo de su despilfarro, en una absurda espera por una mujer de sufrida blancura, comprado en alma y cuerpo por las ganas inadmisibles de morir por un amor que le mantiene vivo, la Bienal Internacional del Cartel en M\u00e9xico convoc\u00f3 a destacados personajes a participar, por expresa invitaci\u00f3n, en la Colecci\u00f3n de carteles evocando un siglo de La sangre devota de Ram\u00f3n L\u00f3pez Velarde, Perpetuidad de los mustios corazones. Los 28 carteles conforman el argumento materializado de uno de los preceptos m\u00e1s importantes de la bicm: cuando el talento se re\u00fane en aras del dise\u00f1o integral, trasciende dogmas y posibilita la convergencia, de modo horizontal, de aprendiz con mentor.<br><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"900\" src=\"https:\/\/bluetypo.com\/site\/wp-content\/uploads\/2024\/10\/Sangre.jpeg\" alt=\"\" class=\"wp-image-1013\" srcset=\"https:\/\/bluetypo.com\/site\/wp-content\/uploads\/2024\/10\/Sangre.jpeg 630w, https:\/\/bluetypo.com\/site\/wp-content\/uploads\/2024\/10\/Sangre-420x600.jpeg 420w, https:\/\/bluetypo.com\/site\/wp-content\/uploads\/2024\/10\/Sangre-170x243.jpeg 170w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A un siglo de su despilfarro, en una absurda espera por una mujer de sufrida blancura, comprado en alma y cuerpo por las ganas inadmisibles de morir por un amor que le mantiene vivo, la Bienal Internacional del Cartel en M\u00e9xico convoc\u00f3 a destacados personajes a participar, por expresa invitaci\u00f3n, en la Colecci\u00f3n de carteles [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,8,3,79,5],"tags":[],"class_list":["post-1020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-award","category-all","category-erendida","category-erendida-m-es","category-poster"],"_links":{"self":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts\/1020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/comments?post=1020"}],"version-history":[{"count":1,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts\/1020\/revisions"}],"predecessor-version":[{"id":1021,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts\/1020\/revisions\/1021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/media\/1013"}],"wp:attachment":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/media?parent=1020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/categories?post=1020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/tags?post=1020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}