{"id":267,"date":"2018-11-04T15:57:06","date_gmt":"2018-11-04T20:57:06","guid":{"rendered":"http:\/\/bluetypo.com\/site\/?p=267"},"modified":"2022-08-04T20:13:37","modified_gmt":"2022-08-05T01:13:37","slug":"typographic-posters-2016-2018","status":"publish","type":"post","link":"https:\/\/bluetypo.com\/site\/en\/2018\/11\/04\/typographic-posters-2016-2018\/","title":{"rendered":"Typographic Posters 2016 &#8211; 2018"},"content":{"rendered":"<p>Typographic posters is a collection of posters made during 2016 and 2018. This project involves the experimental use of typography through the use of lines, patterns and isometric perspective that generate a unique perceptual experience. Each of this posters represent a challenge to communicate with the only use of type. This work is deeply influenced by various characters such as the optical artists like Victor Vasarely, Bridget Riley, Omar Rayo, Carlos Cruz Diez, and on the other hand, designers like M\u00fcller-Brockmann, Wolfgang Weingart, Niklaus Troxler, Isidro Ferrer or Felix Beltran.<\/p>\n<p>Typographic posters are a perceptual experience related to how vision functions. As the Op Art, this project is based in two primary ways. The first, and best known method, is the creation of effects through the use of pattern and line. Another reaction that occurs is that the lines create after images of certain colours due to how the retina receives and processes light.<\/p>\n<p>ACCEPTED TO THE FINALE of Trnava Poster Triennial 2018<br \/>\nPRIJAT\u00ddCH DO FIN\u00c1LE Trien\u00e1le plag\u00e1tu Trnava 2018<\/p>\n<p>See this <a href=\"https:\/\/www.behance.net\/gallery\/68245253\/Typographic-Posters-2016-2018\">link<\/a> to view the complete project.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Typographic posters is a collection of posters made during 2016 and 2018. This project involves the experimental use of typography through the use of lines, patterns and isometric perspective that generate a unique perceptual experience. Each of this posters represent a challenge to communicate with the only use of type. This work is deeply influenced [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":269,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35,37,39,43],"tags":[],"class_list":["post-267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-award-en","category-bluetypo-en","category-manolo-g","category-poster-en"],"_links":{"self":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts\/267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/comments?post=267"}],"version-history":[{"count":1,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts\/267\/revisions"}],"predecessor-version":[{"id":268,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/posts\/267\/revisions\/268"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/media\/269"}],"wp:attachment":[{"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/media?parent=267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/categories?post=267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bluetypo.com\/site\/wp-json\/wp\/v2\/tags?post=267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}